Free Lyrics 2026

Choking Victim ~ Fucked Reality


It feels like jesus on the cross. It's so religious in it's loss: A graven image in the mud, like when I shed my precious blood. I am a loser, I am satan, I am jesus christ, I'm me. There are no winnners in this fucked reality. (2x) Atrophic interludes weave through my life far too often for me to fight the biggest enemies. I have no feelings, like love or pain, it makes me go insane when I see what's happening to me... I say: I am a loser, I am satan, I am jesus christ, I'm me. There are no winnners in this fucked reality. (2x) There are no idols, no heroes in a world of death. It's all a joke and so are you, and so am I... think? just look and see... It's a fucked reality. (4x) more free lyrics

It feels like jesus on the cross.
It's so religious in it's loss:
A graven image in the mud,
like when I shed my precious blood.

I am a loser,
I am satan,
I am jesus christ,
I'm me.
There are no winnners in this fucked reality. (2x)

Atrophic interludes weave through my life far too often
for me to fight the biggest enemies.
I have no feelings, like love or pain, it makes me go insane
when I see what's happening to me... I say:

I am a loser,
I am satan,
I am jesus christ,
I'm me.
There are no winnners in this fucked reality. (2x)

There are no idols, no heroes in a world of death.
It's all a joke and so are you,
and so am I... think? just look and see...
It's a fucked reality. (4x)

more free lyrics

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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