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A-Ha ~ The Living Daylights


(john barry/ pal waaktaar)

Hey driver, where we're going
I swear my nerves are showing
Set your hopes up way too high
The living's in the way we die
Comes the morning and the headlights fade away
Hundred thousand people...i'm the one they blame
I've been waiting long for one of us to say
Save the darkness, let it never fade away
In the living daylights.
All right, hold on tighter now
It's down, down to the wire
Set your hopes way too high
The living's in the way we die
Comes the morning and the headlights fade in rain
Hundred thousand changes...everything's the same
I've been waiting long for one of us to say
Save the darkness, let it never fade away
In the living daylights.
Comes the morning and the headlights fade away
Hundred thousand people...i'm the one they frame
In the living daylights.


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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